燦爛的灰燼

當前的全球化時代正面臨經濟下行和地緣政治動蕩的雙重挑戰與困境。根據經濟學家路德維希·馮·米塞斯的概念來看，當某段歷史正處于違背經濟規律、個人又無力改變、且必然走向失敗的階段，可將其定義為“歷史的垃圾時間"。當時代的烈焰吹來，身與心的灼痛或許將成為每個人都無法躲避的漫長煎熬。渺小的個人，在紛紛落下的灰燼中，我們該如何安放靈魂與肉身?

劉小楓在《沉重的肉身》中寫到，"當人們感覺自己的生命若有若無時,當一個人覺得自己的生活變得破碎不堪時，當我們的生活想象遭到挫傷時，敘事讓人重新找回自己的生命感覺，重返自己的生活想象的空間，甚至重新拾回被生活中的無常抹去的自我"。而在當代藝術實踐里，非線性的視覺敘事同樣編織了另一種時間和空間，形成由虛構凝練出的真實。

從15位來自韓國、中國、中國澳門的導演、藝術家的作品中(電影、文獻、攝影、裝置、繪畫、數字藝術、行為)，可以看到肉身經驗與公共經驗的交織與撕裂，如：工業記憶、遺忘的風景、移民浪潮中的蕓蕓眾生、斑斕的垃圾與玩偶、作為道場的身體，集體主義的隱喻等，我們可以從中去窺探全球化時代中個人的命運和選擇。藝術創作成為他們與個人深淵或周旋、或抽離的途徑，也成為他們度過垃圾時間的抵抗方式。作品中所呈現的觀念和圖像就是時代的縮影，也是對時代癥候的視覺轉譯。從某種意義上來講，這是時代的密碼和咒語。在一個前路未卜劇烈變動的全球化時代，藝術家是時代的記錄者、見證者與探索者，體現了審美與政治的雙重博弈。面對浩瀚的時代，藝術家是可以選擇“燃燒“自己，用心靈史的痕跡來回應時代的共振，渺若蜉蝣,燦如星辰......

張小濤 2025年1月21日于798

“燦爛的灰燼”展覽開幕現場Glorious Ashes Exhibition Opening Scene

“燦爛的灰燼”展覽開幕現場Glorious Ashes Exhibition Opening Scene

“燦爛的灰燼”展覽開幕現場Glorious Ashes Exhibition Opening Scene

參展藝術家:

何崇岳(中國)、胡佳藝（中國）、孫芙蓉(中國)、彭瑋雯(中國)、Lee Kyungho(韓國)、劉央（中國）、Kim Changkyum(韓國)、王苡沫(中國)、鄢雨(中國)、周雯靜(中國)、朱巖(中國)、楊述（中國）、姚慕然（中國澳門）、張龍（中國）、 章涵（中國）

策展人:張小濤

時間:20250315-20250930

地點:重慶華人當代美術館

藝術家金昌謙致辭Artist Kim Changkyum delivers a speech

主持人虞俸茵發言Host Yu Fengyin speaks

孫芙蓉 《蠶食系列-西服》面料、剪刀尺寸可變 2002-2005Sun FurongSilkworm Erosion Series -Suitfabric, scissorsdimensions variable2002-2005

《無盡》布面油畫 200cmx340cm 張龍 2025Zhang Long,Endless, oil on canvas, 200 x 340 cm, 2025.5

Glorious Ashes

In today's era of globalization, the world faces a dual crisis: economic downturn and geopolitical turmoil. According to the concept of the economist Ludwig Heinrich Edler von Mises, when a period of history is violating economic principles, individuals are powerless to change it, and failure is inevitable, it can be defined as "trash time in history". When the flames of the era blow, the burning pain of body and mind may become an unavoidable, prolonged ordeal for everyone. As insignificant individuals amidst the falling ashes, how do we find a place for our bodies and our souls?

In "The Unbearable Body," Liu Xiaofeng wrote, "When people feel their lives are fleeting, when someone feels their life is becoming fragmented, when our life imagination is frustrated, narrative allows people to rediscover their sense of life, return to the space of their life imagination, and even retrieve the self-erased by life's impermanence." In contemporary artistic practice, nonlinear visual narratives weave an alternative sense of time and space, shaping a reality distilled through fiction.

From the works of 15 directors and artists from Korea, China, and Macau—spanning film, documentation, photography, installation, painting, digital art, and performance—we witness the intertwining and rupture of bodily and collective experiences. Industrial memory, forgotten landscapes, anonymous figures adrift in waves of migration, dazzling debris and discarded dolls, the body as a ritual site, metaphors of collectivism—through these fragments, we glimpse the fate and choices of individuals in an era of globalization. For these artists, creation becomes both a negotiation with and a detachment from personal abysses, a means of resisting the relentless passage of " trash time." The concepts and images presented in the works serve as a microcosm of the era, offering a visual translation of its symptoms. In a way, they are the codes and incantations of the present. In an era of radical transformation and uncertain futures, artists emerge as chroniclers, witnesses, and explorers, navigating the tension between aesthetics and politics. Confronted with the vast forces of history, they can choose to "burn" themselves, inscribing the traces of an inner history as an echo of the present. Fleeting as mayflies, luminous as the stars—this is their response.

Zhang Xiaotao, January 21, 2025, at 798.

彭瑋雯 《煤之痕·荒野 I》行為現場工裝，煤炭，碳素粉，電碳制品廢料2024 Peng Weiwen, Traces ofCoal . Wilderness !performance artworkwear, coal, carbon black powder, scrap from carbon-electrical products2024

王苡沫 《看得見的與看不見的》裝置、 2023-2024Wang Yimo, The Visible and the Invisible,installation, 2023-2024

王苡沫《看得見的與看不見的》裝置、 2023-2024Wang Yimo, The Visible and the Invisible, installation,2023-2024

王苡沫 《看得見的與看不見的》攝影 尺寸可變 2023-2024Wang Yimo, The Visible and the Invisible, photography (dimensions variable), 2023 -2024

章涵《銀色狂熱》影像、圖版(影像尺寸可變、圖版140x100cm) 2025Zhang Han, Silver Fever, video installation, photographic plate (video: dimensions variable; prints: 140 X 100 cm), 2025

章涵 《銀色狂熱》影像、圖版(影像尺寸可變，圖版140x100cm) 2025Zhang Han, Silver Fever, video installation, photographic plate (video: dimensions variable, prints: 140 X 100 cm), 2025

周雯靜 《女人系列·節育環》 120x140cm 銅/PVC/硅膠 2014Zhou Wenjing, Women Series · IUD, 120 x 140 cm, copper/PVC/silicone, 2014

周雯靜 《以疾病之名N”2》 35x25cmx30 紙本繪畫 2020Zhou Wenjing, In the Name ofDisease No.2, 35 X 25 cm X 30 pieces, paper-based painting, 2020

楊述《無題2024Y21》布面丙烯樹脂，彩色泥220x180cmYang Shu, Untitled 2024Y2l, acrylic resin and colored clay on canvas220 x180 cm2024

楊述《無題2024Y21》布面丙烯樹脂，彩色泥220x180cmYang Shu, Untitled 2024Y2l, acrylic resin and colored clay on canvas220 x180 cm2024

楊述《無題2024Y21》布面丙烯樹脂，彩色泥220x180cmYang Shu, Untitled 2024Y2l, acrylic resin and colored clay on canvas220 x180 cm2024

金昌謙，數字藝術，3’9 2024Kim Changkyum, Life in the Mandala 4/3min. 9sec./ 2024

金昌謙，數宇藝術， 3’9 2024Kim Changkyum, Life in the Mandala 4 / 3min. 9sec. / 2024

劉央《白天種地，晚上畫畫》影像裝置2025 尺寸可變 Liu YangFarming by Day, Painting by Night2025  video installationdimensions variable

《鏈接》 布面油畫 200cmx300cm 張龍 2024Zhang Long,link, oil on canvas, 200cmx300 cm, 2024

鄢雨 《淹沒2》紀錄片 60分鐘 2009Yan YuDrowning 2documentary2009

鄢雨 《淹沒2》紀錄片 60分鐘 2009Yan Yu Drowning 2 documentary 2009

胡佳藝，逆時針，行為/單屏影像，彩色，有聲[2023,7’45”] Hu Jiayi Counter-Clockwise, performance/single-channel video，/color & sound[2023,7’45”

胡佳藝，逆時針，行為/單屏影像，彩色，有聲[2023,7’45”] Hu Jiayi Counter-Clockwise, performance/single-channel video，/color & sound[2023,7’45”

姚慕然，自畫像，綜合材料27x30cm2024Yao Muran, Ahegao Face Self Portraitmixed media on canvas,27x30cm，2024

何崇岳《城鄉結合部》 攝影 尺寸可變 2010He Chongyue, Urban-Rural Periphery, photography, dimensions variable, 2010

《城鄉結合部》朱巖噴繪/藝術微噴Urban-Rural FringeZhu Yan,Spray painting / Giclee print375x600cm/100 × 80 cm2007

《城鄉結合部》朱巖噴繪/藝術微噴Urban-Rural FringeZhu Yan,Spray painting / Giclee print375x600cm/100 × 80 cm2007

“燦爛的灰燼”展覽現場Glorious Ashes Exhibition site

“燦爛的灰燼”展覽現場Glorious Ashes Exhibition site

“燦爛的灰燼”展覽現場Glorious Ashes Exhibition site

“燦爛的灰燼”展覽現場Glorious Ashes Exhibition site