現為中國美術家協會會員，職業畫家。

巴黎記憶之五

100x80CM

2018年

In his series titled Paris Memories, Xiang Chunsheng takes his viewer through color coordinated feelings associated with travelling abroad. Painting number fifive shows a young Chinese girl dynamically walking with her hands up by the louvre, seemingly expressing her excitement about being there. While her expression and pose show joy and excitement, the bright red background and erratic strokes of crimson paint that sit chaotically over the scene may indicate otherwise. While she may outwardly be happy to be there, the scene altogetherprovides a juxtaposition between her expression and the scope of the scene itself, perhaps indicating that there is an emergent sense of anxiety.

在《巴黎記憶》系列中，項春生帶領觀眾穿越色彩的協調同時感受了一次國外旅行。《巴黎記憶之五》描繪的是一個年輕的中國女孩舉起手行走在在羅浮宮旁，似乎在表達她對來到這里的興奮之情。雖然她的表情和姿勢傳遞出喜悅和興奮，但明亮的紅色背景和混亂的深紅色顏料的急促筆觸暗示了更多要表達的東西。雖然畫中人物的舉止看起來很高興，但在情景當中，又隱藏一種緊張的焦慮感。

巴黎記憶之七

100x80CM

2018年

Similarly, in scene number 7, the young girl is smiling, but a gloomy, darkened blue looms around her. Her face is embraced by shadow, so though her smile might be bright, it seems muted. In the 8th image in the series, a difffferent feeling is present, one that is bright. The prominent yellow hue illuminates the face of the young girl, and provides a warm background to her experience at the water. Unlike the two others, it is an optimistic backdrop. The ambiance of the painting is altered once again by gestural brush strokes in thin and thick textures.

同樣地，在《巴黎記憶之七》的場景中，這個年輕的女孩面帶微笑，但卻有一種憂郁的深藍色籠罩著她。她的臉被陰影包圍著，盡管她的微笑可能是明亮的，也似乎是柔和的。在該系列之六中，呈

現出了一種截然不同的感覺，是一種難得的明亮。明亮的黃色色調照亮了年輕女孩的臉，并為她的水中常見提供了溫暖背景，這是一個樂觀背景。而這幅畫的格調也再一次被薄厚紋理的手勢筆觸所改變。

巴黎記憶之六

100x80CM

2018年

All three canvases together give a more complete picture of this traveller’s experience. The ability to travel abroad can bring joy, anxiety, and can paint one’s life in technicolor. In his series about the impact of seeing this foreign space, Xiang chooses to create a multidimen-sional hypnagogic setting.

——Elizabeth Filshtinsky

University of Massachusetts Amherst’2019,Double BA in Art History and Economics Curatorial Practicum at the University Museum of Contemporary Art, Currently in corporate Marketing at the Institute of Integrative Nutrition

巴黎記憶之六?局部

這三幅作品結合在一起，為這位旅行者的經歷描繪了一幅更完整的畫面。出國旅行可以帶來歡樂，焦慮，并且可以把一個人的生活描繪得多姿多彩。在這個系列作品中，項春生選擇去創造一個多維的催眠設定。

——伊麗莎白·菲爾什廷斯基

馬薩諸塞大學阿默斯特分校, 藝術史與經濟學學士

幻化的秩序美

蘇傳敏