展覽名稱：時間的秩序
展覽時間：2020 年 5 月 16 日 - 7 月 4 日
展覽地點：HdM 北京 | 北京市朝陽區酒仙橋路 4 號 798 藝術區七星東街
?HdM 畫廊
董大為，《孤單的樹之四季》，視頻時長：5'15''，版本 6，2011-2014
HdM 畫廊北京空間高興的宣布我們將于2020年5月16日開啟我們疫情過后的第一個展覽《時間的秩序》，此次展覽邀請了董大為、胡為一、李易紋、陸新建、呂松、曼紐爾·馬蒂厄、查爾斯·桑迪森、王一、王慶松、尹航、云永業、張雪瑞、張云垚、朱日新在內的15位東西方藝術家，在特定的“時間”下用繪畫、攝影、裝置、影像和我們一起開啟新的征途。展覽持續到7月4日。
?HdM 畫廊
胡為一，《藍色骨頭 No.5》&《藍色骨頭 No.8》，藍曬法于水彩紙、木框、鋁 塑板、白卡紙、亞克力，52 x 38 cm，獨版，2020
?HdM 畫廊
曼紐爾·馬蒂厄，《服役》，布面綜合材料，180x170cm，2020
關于展覽
世上本沒有“時間”，我們稱之為“時間”的東西只在人類文化的范疇里成其為時間，人類對時間的認知更多來源于我們每個人對空間、物體以及事件成因的感知。我們所“認知”的時間根本不存在，事物混合的痕跡也只是一個又一個分化的點和線。在世界的基本方程式中，所謂過去、現在和將來的“時間”,實際上更像是當下人們心中的"記憶""感覺"和"期望"。因此，時間的秩序更像是由彼此影響的事件所組成的網絡，它無法呈現給所有人一個廣義的“真相”，更多的是以人的主觀行為為根本出發點，控制著某個維度只有“自我”能感知的時空。
?HdM 畫廊
朱日新，《有墻的風景No.1》，紙本丙烯、針管筆，40x60cm，2020
在《時間的秩序》展覽中，15位藝術家分別用不同媒介，展現了在一個特殊“時間”下彼此對于“時間”概念最個人化的內在觀感。他們中的大部分藝術家并不局限于將“時間”這個抽象概念作為表現對象，其中有的藝術家是將“時間”作為表達的方式和語言，有的則通過枯燥的千百次重復運動來記錄“時間”的痕跡，但更多藝術家則聚焦于時間與私人記憶、時間與公共歷史、時間與死亡、時間與空間、潛意識及想象中。
?HdM 畫廊
云永業，《終景》，木上油畫，23x18cm，2019-2020
“時間”之旅是一條無盡長河，對于一些人已經停下，但對大部分人仍在繼續；我們周遭的時間和事物以各自的流速交織，向前或循環，指向未來或指向現在；時間就像隱喻，它的真實形態我們并不可知，不同個體的感知交錯以及一種當下的空間性體驗于是顯得特別珍貴，這正是真正令人著迷的地方。
?HdM 畫廊
李易紋，《深空場》 ，布面丙烯，尺寸可變、數量可變，2017
?HdM 畫廊
張雪瑞，《225 201905》，布面丙烯，150x150cm，2019
?HdM 畫廊
陸新建，《城市DNA 羅迪歐大道》，布面丙烯，100×100cm，2011
?HdM 畫廊
馬軻，《拿芒果的女人》，布面油畫，97x83cm，2020
Exhibition: The Order of Time
Opening: 2020.05.16 (Sat.), 16:00 - 18:00
Duration: 2020.05.16 - 07.04
Location: HdM Beijing | 798 Art District, No.4 Jiuxianqiao Road, Chaoyang District, Beijing
HdM GALLERY Beijing is pleased to announce the opening of the exhibition "The Order of Time". This exhibition is showing 15 Chinese and Western artists including Dong Dawei, Hu Weiyi, Li Yiwen, Lu Xinjian, Lu Song, Ma Ke, Manuel Mathieu, Charles Sandison, Wang Yi, Wang Qingsong, Yin Hang, Yun Yongye, Zhang Xuerui, Zhang Yunyao, Zhu Rixin. Each started a new journey at a specific “time" within painting, photography, installation and video. The exhibition will open from May 16, 2020 to July 4, 2020.
?HdM GALLERY
Lu Song, Foliage - 2, acrylic on canvas, 60x50cm, 2017
About the Exhibiton
There is no "time" in the world. What we call "time" only exists as a concept of human culture. Our cognition of time comes more from people's perception of space, objects and the causes of events. The time we recognise does not exist, and the traces of its passage are just countless points and lines. In the basic equations of the world, the "time" of the past, present and future is actually more akin to a type of memory, feeling and expectation within our mind. Therefore, the order of time is more like a network of events that affect each other. It cannot present a universal truth but an interpretation of the subjective behaviour of people as the basic starting point to control the time and space of a certain dimension that only someone’s consciousness can perceive.
?HdM GALLERY
Wang Yi, Primary Structures, epoxy resin cast, dimension variable, 2016-2020
In this exhibition, the artists use different media to show each other's most personal inner feelings about the concept of time within this definition. Most of them are not limited to the abstract concept of "time" as an objective reality. Some artists use "time" as a mode of expression and language. Others record traces of "time" through thousands of repetitive actions. But more artists focus on time as individual memory, public history, death, space, subconscious and imagination.
?HdM GALLERY
Zhang Yunyao, Intimacy -3, graphite and pigment on felt, 40x40cm, 2019
The journey of time is an endless river, which has stopped for some people, but continues for others who carry on their journey. The time and things around us are intertwined at their own speed, go forward or turn back on themselves, pointing to the future or to the present. Time is like a metaphor: we don’t know its true form. A particularly precious experience is the perception of different individuals intertwined in one space.
?HdM GALLERY
Yin Hang, Kingdom, archival inkjet print, 173.7x139cm, Edition 1-3, 2019
?HdM GALLERY
Wang Qingsong, Lu Xun Now, archival inkjet on Fine Art paper, 60x100cm, 2004
?HdM GALLERY
Charles Sandison, The Reader 3, 40 - 50 inch screen, computer code, c++ algorithm, Edition unique, 2019
皖公網安備 34010402700602號