向關良大師致敬!——關良·楊群戲劇人物水墨畫展

日期：2019-08-28 10:05:00 來源：798感嘆號藝術空間

展覽 >向關良大師致敬!——關良·楊群戲劇人物水墨畫展

展覽時間：2019年9月1日–15日

開幕式：2019年9月1日下午4點

出品人：張寶華

學術主持：吳光榮

聯合策展人

陳杰史興禾舒夢楊雪劍

魯闈(Kelly lu) 張紹庭張寶華

藝術家：關良楊群

主辦

社創之星

賽睿出國

澳門鐵赤道重型機車館

（福建）四恩國學文化傳播中心

北京市日兆九州文化發展有限公司

感嘆號文化傳播（北京）有限公司

展覽場地

北京市朝陽區酒仙橋路2號

798藝術區感嘆號藝術空間

中國現代藝術的先驅——關良（1900—1986年）字良公。生于廣東番禺，1917年赴日本學習油畫，1923年回國任上海美術專科學校教授，參加過北伐戰爭，任政治部藝術股長。30—40年代輾轉與廣州、上海、重慶等地的藝術院校任教，曾任浙江美術學院教授，上海中國畫院畫師。關良先生是中國現代畫壇上一位不可或缺的大師，他是最早將西方現代派的繪畫理念引入中國傳統的水墨畫之中。西方現代派中的印象派、立體派、野獸派以及德國表現主義的繪畫作品對關良影響很大。他在比較中西繪畫的異同之后，把西方現代繪畫和中國水墨戲曲人物結合到一起，開創中國戲曲人物畫新流派。關良的戲曲人物不拘泥于具體的情節及舞臺的服飾細節，而是抓住特定情景中的精神，以少勝多，形式上以拙求樸，率真稚趣。進入爐火純青的藝術世界。關良先生的寫意戲曲人物畫開一代之風。

楊群的水墨戲曲人物畫既有傳承又有獨創，他的傳承源于對畫戲大師關良畫風的敲骨吸髓，潛心學習。他的獨創源于自己個人深厚的民間藝術功底。從剪紙到木版年畫、從皮影到刺繡、從民間泥玩具到民間雕塑，在吸納民間藝術的同時，楊群又如饑似渴汲取西方現代派藝術大師畢加索、馬蒂斯以及新表現主義的繪畫語言。他的水墨戲劇人物畫造型夸張寫意，作品更著重于純視覺的繪畫性。他把中國現代水墨和中國民間傳統藝術融于一體。楊群的水墨戲劇人物畫散發著典型的東方藝術獨特魅力。

吳光榮中國美術學院美術館副館長

民藝博物館館長

The pioneer of Chinese modern art — Liang Guan (1900—1986). Born in Panyu Guangdong, China, Liang Guan went to Japan to study oil painting in 1917. In 1923, he returned to China as a professor of the Shanghai Academy of Fine Arts. Later on he joined in the Northern Expedition against the Beiyang government and became the Art Chief of Political Department. In the 1930s and 1940s, he taught in various art schools across China including those in Guangzhou, Shanghai, Chongqing. He was also a professor of the Zhejiang Academy of Fine Arts and a painter of the Shanghai Chinese Painting Academy.Mr. Liang Guan is an indispensable master of modern Chinese painting. He was the first person to introduce the concepts of western modernist painting into Chinese traditional ink paintings. Impressionist, Cubist, Fauvism and German Expressionist paintings have all had a great influence on Liang Guan. After comparing the similarities and differences between Chinese and Western paintings, he combined modern Western painting styles with traditional Chinese paintings to create a new genre of Chinese ink opera character paintings. Liang Guan’s paintings do not focus on story plots or costumes details, but capture the spirit of a scene. He uses simple and clumsy strokes, painting like a child. Mr. Liang Guan, the innovator of freehand style opera characters painting, has created paintings that have reached a perfect state.

Qun Yang’s ink opera paintings are both inherited and original. His inheritance stems from his painstaking study of master Guan Liang's painting style and his originality stems from his personal experience of studying and creating traditional folk art. From paper-cutting to woodblock New Year paintings, from shadow puppetry to embroidery, from traditional clay toys to traditional sculptures, while drawing from traditional Chinese folk art, Qun Yang is hungry for the artistic styles of modern Western art masters Picasso, Matisse and of the Neo-Expressionist movement. His ink opera figures are exaggerated and freehand, and the work focuses more on purely visual painting. He integrated Chinese modern ink painting with Chinese traditional folk art. Qun Yang’s ink-and-wash character paintings exude the unique charm of typical oriental art.

Guangrong Wu

Deputy Director

Art Museum of the China Academy of Art

Director

Folk Art Museum of the China Academy of Art

關良作品

貴妃醉酒（33×45cm）

孫悟空三打白骨精（68×33cm）

戲劇人物（28×75cm）

武松打虎（33×30cm）

晴雯補裘（53×35cm）

戲劇人物（40×44cm）

楊群簡介

1958年11月生，安徽淮南人

1978年考入安徽師范大學美術系

1982年美術系版畫專業畢業

1985年任教阜陽師范學院美術系

1986年在南京舉辦版畫雙人展

1989年中國美術館舉辦《中國剪紙大獎賽》獲一等獎

1989年入中央美術學院民間美術系深造

1990年在日本東京世田谷美術館舉辦個展

2006年中國美術館今日中國美術大展

2014年798感嘆號藝術空間2014水墨展

2015年中澳美育交流華人藝術家大展

2016年《北京國際藝術博覽會》參展

2017年北京民族文化宮《戲如人生·楊群畫戲》個展

2017年《北京藝術博覽會》參展

2018年798感嘆號藝術空間《楊群戲劇人物水墨畫》個展

2018年北京宋莊《國粹精華·楊群戲劇人物水墨畫》個展

2019年新加坡《好戲連臺·楊群戲劇人物水墨畫展》

2019年法國《好戲連臺·楊群戲劇人物水墨畫展》

2019年《向大師致敬·關良·楊群戲劇人物水墨畫展》

楊群的水墨戲劇人物畫有著新表現主義繪畫藝術的特征，造型自由隨性，充分展現了中國水墨畫和中國戲曲的寫意精神，作品有著東方藝術的獨特魅力和現代視覺審美。其作品被美國洛克菲勒家族，美國量子基金會、法國中西文化學會、法國尼姆現代美術館、法國尼姆大都會秘書長、新加坡政務部部長、澳大利亞布里斯班洲議員等重要機構和藏家收藏。

現居北京，職業藝術家。

Introduction to YANG QUN

Qun Yang was born on November 1958. He graduated from Normal University of An Hui with a major in printmaking in 1982 and taught in the Art Department of Teacher’s College of Fu Yang in 1985. In 1989, he entered the China Central Academy of Fine Arts for further studies. He has participated in various competitions and exhibitions in the past few decades.

Exhibitions and Competitions List

1986 – Two-person’s Printmaking in Nanking

1989 – First prize in the Papercut Competition in Chinsese Art Museum

1990 – Personal exhibition art show in the Art Museum of Setagaya in Tokyo

2006 – ‘Present China’ art exhibition in the China Art Museum

2014 – Chinese ink show in the 798 Exclamation Art Space in Beijing

2015 – Chinese Art Exhibition at the China-Australian Conference of Art Education

2016 – Beijing International Art Fair

2017 – “Life is like a play” Qun Yang’s painting at the National Culture Palace of Beijing

2017 – Beijing Art Fair

2018 – Qun Yang’s Chinese ink opera characters paintings at the 798 Exclamation Art Space, Beijing

2018 – Qun Yang’s Quintessence of China, Chinese ink opera

characters paintings in Song Village, Beijing

2019 – Qun Yang’s “One good show after another” Chinese ink opera characters paintings in Singapore

2019 – Qun Yang’s “One good show after another” Chinese ink opera characters paintings in France

2019 – Salute to the Great Master – Liang Guan – Qun Yang Chinese Ink Opera Character Paintings

Yang’s art is infused with "Chineseness" both embraced with traditional atmosphere and modern trends. He was introduced as early as the 80s by 'Chinese Art’ newspaper, “Arts” magazine and “Jiang Su Visual Arts”. He is included in “The Yearbook of Chinese Art 1949-2014”

His works have been collected by the American Rockefeller Family, Quantum Funds, France’s Nimes Museum of Contemporary Art, Nimes’ Metropolitan Secretary General, the state senator of Brisbane, Australia and the minister of Singapore’s government. As a professional artist, Yang currently lives in Beijing.