陶詠白 荒林 見于《中國藝術》2007年第二期 p31 《性別與多元文化空間》一文
　　黃海燕以開放的思維和個性化的藝術表達方式，解構著傳統的、僵硬的性別定式，呈現著社會性別的多樣化和藝術形態的多元化，給出了關于當下的一種文化暗示，我們權且稱之為“游走在性別邊緣進行創作的藝術家”。黃海燕，若光從名字來看，你一定以為這是位女性，絕對想不到他是位陽剛而持重的山東大漢。他塑造的青春少女——她們美麗、純潔，看似柔弱但執著。從這些柔韌不張揚的形象中，可以觸摸到作者那充滿人性化的溫情、與世無爭的平和心態以及他的審美理想。歌德有句名言：“永恒之女性，引導我們飛升”，讓世界充滿愛，或許這就是人類拯救自己的出路。……藝術家們已在作品中解構著性別傳統的定式思維……

　　Tao Yongbai, researcher of China Art Institute, Huang Lin, professor of Beijing Normal University, famous critic, seen in Chinese Art , the passage of Sexual Distinction and Multicultural Space , the second volume, page 31, 2007.

　　Sexual Distinction and Multicultural Space

　　Huang Haiyan deconstructs the traditional and rigid fixed person of sexual distinction by opening mind and individualized art forms, which gives us a kind of cultural suggestion in recent days as we called “Artist creating on the edge of sexual Distinction”. Huang Haiyan, from the letters, you must think it’s a name of a lady and you could never think of whose owner is a masculine and steady hefty man of Shandong province. The young ladies created by him are beautiful and pure, seemingly frail but persevering, from which we can touch the author to his humanized mildness, peaceful attitude and his aesthetic idea. There is a famous saying of Goethe: "eternal women, and guide us to heaven" to a world filled with love, perhaps this is his way to save mankind. Artists in the works in the traditional gender deconstruction of the established thinking……