古希臘先哲蘇格拉底曾就“什么是美”與好友希皮阿斯進行激烈辯論而無果。惶惶中我感覺到美始終隱藏于事物背后并推動事物呈現出美的特殊性（美的形式）。人們可以創造出美的事物卻永遠無法擺脫自身局限從形形色色的特殊性中總結和歸納關于美的普遍意義。在美面前我們是渺小的，就像人們需要匍匐于泥土之上感受大地的遼闊。
　　工具理性給人們帶來的是對感官經驗的不信任。藝術的審美方式當中，以理性的方式在形式中尋找觀念，形式失去意義；以文字詮釋藝術，觀看則失去意義。藝術經歷了無數美學意義的革命之后，藝術家們仍然沒有放棄在形式中而不是在概念中探尋生命的終極價值。
　　好的藝術作品往往體現出其藝術語言的獨特本質，而雕塑藝術的本質就是形體和光影。脫離形體與光影，雕塑則失去意義。這已成為我的藝術理念并呈現于我的作品之中。我不會將自己的藝術冠名為某某主義或流派，或許觀者能從這些作品中體會到的是古典、唯美或是別的什么。總之這些超然于現實或帶有幾分靈異的藝術形象建構著我的全部，這是一種意識處于現實與幻想的交界狀態，用形體與光影言說自我的過程。我相信，造型藝術與其它藝術種類一樣呈現出螺旋上升式發展態勢。其每次飛躍往往伴隨著失去本體語言的危險卻又不自覺地回顧傳統，然后在新的起點上煥發出活力。這上升的動力則是人類對自身的反省以及文明的不斷推進。
　　我希望自己成為那不多的藝術與真理的朝圣者，用自己的生命換取美的更多感受，將它們物化于那堅硬不朽的形式和材質中，以求愛與生命之永恒。

　　若愚 2010/9/24

　　The ancient Greek sage Socrates debated contested intense with his friend Xipi Aspen on “what is beautiful " and no fruit. In panic, I feel that The beautiful things has always hide behind things and promote things that show the particularity. People can create things of beauty but you will never get rid of the universal significance of its own limitations from all kinds of particularity. Before the Beauty we are small, just like people need to crawl in the soil above the feelings of the vast earth.
　　Instrumental rationality to people is do not trust the sensory experience. Which the art of aesthetic way, In form, we looking for ideas in a rational way. Form lost its meaning; texts explain the arts, watch lost its meaning. Art has gone through numerous aesthetic significance of the revolution, the artists have still not given up the ultimate value in the form, not explore of life in the concept.
　　The good works of art often reflects the unique nature of their artistic language, the essence of sculpture art form and lighting. Without light and shade, A sculpture lost its meaning. It has become my artistic tenie and showing my works. I do not name my works by a doctrine or a genre, perhaps viewer can to appreciate the classical aesthetic or whatever it is from these works. In short these artistic images detached from reality, or a sort of supernatural construct my all, this is a state between reality with fantas, speaking the process of myself in shape and shadow. I believe that the develop of plastic arts and other kinds of arts, like a spiral development trend. Each leap is often accompanied by the risk of loss of its language, but do not consciously recall tradition, glow with vitality and a new starting point. This increase in power is the continuous progress of mankind for their self-examination and civilization.
　　I just like a pilgrims of art and truth, to exchange for more experience in my life, they materialized in hard and immortal forms and materials, for courtship and life eternal.