他的人物作品，以簡筆為主，有時用線，有時則作“墨人”；粗“細”，淡“濃”，隨機，隨意，隨手，加上隨處題寫的詩詞跋語，讓人感到池抒寫時的自由與放松，奸像是在以紙楮作游戲。古人有“意筆”之說，又有“戲筆”畫，即指這種隨意性很強的作品。興之所至，信筆涂來，如水行也，自由自在，盡興而止，有如兒童游戲。古代書法家也有“興來灑四壁，走筆如流星”的情狀，西方現代畫家如抽象表現主義，新表現主義者，也都強調作畫的隨機性，把藝術創作視為人的靈性的—種表現，而不屑于去經營、構想和繪制。

　　幽默感是智慧、熱愛人生的表現，有時也透露著自我解嘲的人生無奈感，以及以玩笑態度看世事的生活哲學。這種幽默感與畫家自由抒寫的戲筆風格十分和諧，也可說，是畫家以藝術的戲筆寫戲劇性的人生感受吧。

 著名美術評論家

郎紹君

　　There is a striking simplicity about his brushwork. Zhao Junsheng treats his images with spontaneity, together with an element of playfulness. Our ancient masters in penmanship were spontaneous in their line and character creation; their sentiment and feelings carried their maze of lines and strokes "through the starry night". Zhao Junsheng instills these linear formations with freedom and ease, thus gives the work a humourous and theatrical quality.

　　Zhao is not a cynic; he brews something which is already there and adds humour to his art without a trace.

      Art critic  Lang Shaojun