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德宏的追求

德宏的追求

德宏的追求

時間:2009-09-21 15:04:44 來源:

評論 >德宏的追求

諸葛鎧(蘇州大學藝術學院博士生導師)

德宏要我為他的畫寫幾句話,但我不是評論家,而是德宏大學時的老師,所以就從他讀大學時寫起。

德宏學的是工藝美術,這種專業(yè)要求精細準確的描繪,他從那時起可能就另有興趣,所以對此并不完全適應。然而,他對我近于嚴苛的要求毫無怨氣,反而對我更為尊重,畢業(yè)后仍然如此,可見德宏身上具有中國文化人的傳統(tǒng)美德。這就使得我對這位安徽學子另眼相看。在全班同學中,德宏是比較豁達的一位。四年的大學生活他待人坦誠,大學畢業(yè)后更透出一種豪爽之氣,這對他從事攝影和繪畫的創(chuàng)作無疑大有裨益。當我比較全面地看到德宏的作品時,已是2005年秋,這是他畢業(yè)后我第一次去合肥,在講學的間隙去了他的畫室。這時他的作品已多次參加重要的畫展。從他所畫的徽派建筑中,可以看到蘇式的影子;從他的油畫中,透出了構成的意蘊。這些作品寫出了他的經(jīng)歷,也寫出了他的追求。

德宏從安徽到蘇州求學,又從蘇州回安徽工作,自是吸吮了兩地的靈氣。皖南和蘇南盡管不是一地,但同樣可見綠水青山、白墻黑瓦,同樣可見江南的河山錦繡。顯然,德宏在蘇州水鄉(xiāng)寫生時,腦中自有安徽的山水;在皖南采風時,必然難忘蘇南的小橋流水。這兩者的重疊,交匯出一種朦朧的江南景色。那當然是皖南,但你能說其中沒有蘇州?這正說明,朦朧不但是一種藝術手法,也是德宏江南情結的綜合。

在德宏的作品中,還可以悟出幾分構成的意蘊。記得1980年秋,我曾給他們班上過數(shù)周“平面構成”,這在當時還是一種創(chuàng)新,現(xiàn)在看來,不過是幾何格子的空間游戲,但在形式規(guī)律的把握上,有其實際的作用。當把橫豎相交的建筑融合在構成的網(wǎng)格中時,德宏似乎找到了天地之際人造空間的本元結構。那是一種極為簡樸的幾何體的疊積,但蘊涵著人類巨大的力量,因此,它是窮天極地、周延無限的幾何框架,直至溢出畫框。這或許正是德宏的風景畫看似平坦但又波濤起伏的原因。德宏正在創(chuàng)作的新畫中,好像又有一種由剛至柔的傾向。天地混沌似為陰陽流轉的氣,氣流中依稀可見人間的灶煙升起。其中,自然的曲線比平面構成的曲線多了幾分陰柔美、少了幾分剛性,但只要沒有媚俗,便可畫出上品。只是新作尚未殺青,這多半是我的猜測臆想。如上所說的種種感受,也間有我讀德宏畫作的個人體驗,不知德宏以為然否。

依我所見,繪畫的上下之分,技巧固然重要,構思卻占了七分。因為多畫即易生巧,但構思所生意境,卻來自深厚的文化素養(yǎng)。這需要長時間的積累,難以在短時間內見效,更不會立竿見影。如讀西方的哲學和美學、讀中國的周易和老子,都需細嚼慢咽,然后再體驗天地人間的種種情和景,那時,天地會遠及宇宙洪荒,人間會遠及皇帝堯舜,滿目的錦繡山河、蒼然古屋都與人類的文明聯(lián)為一體,畫筆下流淌的,便不僅是斑斕五彩,而且是畫家的心血。

德宏的畫已經(jīng)有所成就,如果向前看,還會有更長的路要走,以上的話,權作重逢后的共勉。

                                              蘇州金雞湖左岸
2005年11月30日

DE HONG'S pursue
ZHU GE KAI (the University of Suzhou art college Doctor tutor)

DE HONG want me to write a few words for his painting, but I ain't a critic, but DE HONG’s teacher, so study at from he that wrote during the days in the university.

DE HONG what to learn is the craft art, This kind of professional request fine and accurate description, He from then on possibility have another interest, so adapt incompletely also to this. However, He has no hatred near the rigorous request to me, is more to me on the contrary in order to respect, the graduation is behind still such, It is thus clear that the virtuous and great body has the traditional virtue of the Chinese cultural person.This make I to this Anhui student another the eye sees mutually.In the whole class the classmate, It is virtuous and great to is more open-minded a.The university of four years is living he acts towards people open heart, the university graduation is behind more deeply is a kind of straightforward spirit, This creations that is engaged in to photograph to him with the painting is of great benefit doubtless.When I see a DE HONG'S work more and completely, Is already the autumn of 2005, This is after his graduation, I first time go to Hefei, Be tutorial of the cleft went to his studio.His work has already attended important art exhibition for many times. from the works by he the building of South of Anhui, can see the shadow of Su's type;From his oil painting, deeply constitute of idea.These works wrote his career, also writing him to pursue.

DE HONG go to Suzhou Univercity from Anhui, return to work in Anhui from Suzhou again, Sucked up the spiritual influence of the two sides naturally.Though the south of Anhui and the south of Su is not same, same it is thus clear that green water green mountain,white wall black tile, same it is thus clear that the river mountain rich brocade of Jiang-Nan.Obviously, DE HONG at water country in Suzhou sketch, in the brain from have the landscape of Anhuis;At the south of Anhui sketch, by all means difficult forget the small bridge flowing water of the south of Suzhou.This both of overlap, hand over to remit a kind of Jiang-Nan landscape of dim moonlight.That certainly is the south of Anhui, but you can say that have no Suzhou among them? This is explain the dim moonlight isn't only a kind of art skill but also the DE HONG Jiang-Nan feeling to knot of comprehensive.

In the DE HONG'S work, can also with the idea that constitute for several cents.Remember the autumn of 1980, I have ever given them the class few weeks"the flat surface constitute", this at that time still a kind of innovation, see now, however is several space games of blanks, but on the confidence of the form regulation, have it actual function.When hand over mutually the horizontal of the building fusion Be constitute of mesh China Times, DE HONG found out the world moment apparently artificial space of this structure.That is a kind of extremely simple several bodies to fold to accumulate, but contain huge strength of mankind, therefore, This is exactly the probably DE HONG scenery painting see flat but again the big waves rise and fall of reason.DE HONG is seeming and having in the creations of the new painting a kind of from just went to soft tendency.The world mentally dense flow to turn for the yin and yang of spirit, the cooking stove smoke of the barely discernable human life rises in the current of air.Among them, the curve of the nature ratio the flat surface composing of the curve have another several cent  was soft and beautiful and little several separately rigid, but as long as have no vulgar, can draw a good works.Just making lately hasn't yet complete, this most likely is my guess.As above various feelings say, also have my personal experience that reads a virtuous and great painting, don't know DE HONG agree or deny.

In my opinion, How knows painting, The technique is surely important, conceiving outline but having seventy percent.Because draw much to easily namely, but conceive outline the artistic conception living, come from deep cultural cultivated manners.This needs a long-playing backlog, and is hard to take effect in a short time, can't even get instant results.For example read the philosophy and esthetics of the west and read ZHOUYI and LAOZI of the China, all need to be slowly, then experience personally various feeling and view, that time of the world the human life, world would far from in cosmos, the human life would far from the emperor, the full purpose beautiful landscape, however the thou houses all is an integral whole with the mankind's civilization, The paintbrush is mean to drip, then not only is rich in hues multicolored, But also is a painterly strenuous effort.

The DE HONG'S painting has already had achievement, if Looking forward, will also have longer road to walk, All the words for our meet again.

                                              Suzhou gold chicken lake left bank
                                              In 2005 November 30th

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