我和德宏老弟認(rèn)識(shí)已有好些年了，但真正的相識(shí)恐怕還是在他的畫室里。

現(xiàn)實(shí)中的德宏我們誰也不十分清楚，就像早上起來照鏡子會(huì)突然驚異的發(fā)現(xiàn)不認(rèn)識(shí)自己一樣。他常神游于現(xiàn)實(shí)與夢(mèng)幻；虛假和真實(shí)；靈與肉；清晰與模糊；抽象和具象之間。正如我走進(jìn)他的畫室，立馬被他骨子里浸透的細(xì)膩與纏綿深深打動(dòng)，他的大男子的里層包裹著一小秀女，他的風(fēng)景中所有的的現(xiàn)實(shí)痕跡，那些城郭與村舍；田野和山巒；都被他認(rèn)真反復(fù)的皴擦涂抹，他像工人一樣打磨這一張張的風(fēng)景畫。二十多年來的那些風(fēng)雨剝蝕和陽光燦爛的日子；那些帶著笑容和眼淚的日子；從強(qiáng)烈的裝飾具象風(fēng)格演繹成一首首雋永的朦朧詩。他不再拘泥于一磚一瓦、一草一木的描摹，而是更宏觀的把握和抽象的表現(xiàn)。在潛意識(shí)中，他更喜歡模糊狀態(tài)，喜歡朦朧。正如他害怕現(xiàn)實(shí)的影像（或他自己），會(huì)在畫布上重現(xiàn)。于是他在繪畫上重疊覆蓋直至達(dá)到模糊的狀態(tài)，才罷休。在精神上他和現(xiàn)實(shí)一直保持著距離感。德宏的油畫有著浪漫派詩人李白的風(fēng)采，象和著清澈醇烈的白酒涂抹揮灑。他的近作亦更具有抽象表現(xiàn)主義的代表人物，美國式的現(xiàn)代主義英雄德庫林，用逸逸草草的抽象書法般的筆觸和張力來把握和刻畫山水的精神。我們依稀從這些爛漫的抽象書寫中感悟到現(xiàn)實(shí)的城郭村舍、草木的夢(mèng)影，他記錄下自然內(nèi)部的深深哀婉與嘆息。宛如美國現(xiàn)代詩人葉芝在她的詩歌里對(duì)自然的吟詠與謳歌一般。我喜歡德宏色調(diào)中秋天的情緒。我以為抽象主義的藝術(shù)是對(duì)現(xiàn)實(shí)世界的批判和精神上的再次升華。它們呈現(xiàn)的不是自然的表象，而是自然的靈魂。它們不是技術(shù)的表現(xiàn)而是崇尚精神再創(chuàng)自然（第二自然）。這也是上帝賦予人類最珍貴的禮物。我們面對(duì)自然不再是只用眼睛和手來觀察和表達(dá)它，而是用靈魂和心來感悟和呈現(xiàn)它。這是藝術(shù)創(chuàng)造的本質(zhì)。2005年無疑是王德宏藝術(shù)創(chuàng)作的一個(gè)美好的轉(zhuǎn)折和收獲的季節(jié)……

當(dāng)我如此隨著思緒的流淌，想著和寫著的時(shí)候，外面的雪已悄悄地把這世界包裹成白色，顯得即美好又神秘。村頭一只無名的野狗，為這白色的世界感到極度的困惑，凄厲地狂吠著。它引起些許寒冷和震顫。我想此時(shí)的德宏也許已入夢(mèng)鄉(xiāng)，也許在這世界的一個(gè)不知名的溫暖的小屋里和朋友們圍坐一起喝著小酒，繼續(xù)上演著昨朝那場(chǎng)永不結(jié)束的有趣而慘烈的“現(xiàn)代劇”。

                                               楊 重 光
2005年2月20日

Tour between imagination and abstract

I with Dehong the understanding has already had a quite a few year, but if real acquaintanceship is perhaps still in his studio.

In the reality of virtuous and great we who also not quite clear, be like to get up to see in mirror in the morning would suddenly astonished detection the incognizant oneself is similar.He often is tour by imagination in the reality and fantasy;Deceitful with reality;Work properly with the meat;Clear and misty;Abstract and have of the elephant.Positive if I walk into his studio, signing a horse is soaked through inside by him of delicate with tie up to impress with, his big man of in the layer wrap up one small show female, all in his scenery of of realistic trace, those city walls and village give up;The countryside and mountain;BE all wiped a daubery by his hard iterative wrinkle, he is like a worker's similar dozen to whet this scenery painting.Those rains and winds of more than 20 in the last yearseses fall off is brilliant with sunlight of day;Those are beaming with smiles with the day of the tears;Have the elephant style to deduce one first interesting and hazy poem from the strong adornment.He no longer ties down by one brick one tile,one grass a wood copy , but the more macroscopic confidence and the performance of the abstraction.In the subconscious, he even likes misty appearance, liking a dim moonlight.Positive if he is frightened the image(or himself) of the reality, will re-appear on the canvas.Hence he the overlap overlays to keep on the painting to attain misty appearance, just give up.He keeps distance feeling with reality always on the spirit.The virtuous and great oil painting has the romance parties the elegant appearance of poet LI3 BAI2, elephant with wear a strong white spirit daubery of pure to write freely.His recent work also has more abstract performance representative's person of[with] doctrine, the modernism hero of the American type virtuous database wood, use a roughly abstract calligraphy sort of the of the style of drawing and tension to hold and depict the spirit of the landscape.We depend on sparse write from the abstraction of these lousy medium the feeling  arrive reality of the city wall village give up,the dream of the plant, he minutes down nature inner part of deeply the  with sigh.It is general to the intonation and the song of the nature in her verse just like American modern poet, leaf 芝 ,.I like the motion that the virtuous and great tone Mid-Autumn am for day.I think the art of[with] abstract doctrine am the judgment to the realistic world and again sublimate of the spirit.What they present isn't a natural idea, but natural soul.They not is technical performance but is emphasize spirit to create again nature.( the second nature)This is also God to give the most precious gift in mankind.We face nature to be not any more to observe and express it with eyes and hand, but use the soul and heart to the feeling with present it.This is the essence of the art creation.Was DE HONG's a fine turn of the art creations and the season …… of the results doubtless in 2005

When I flow to drip along with the thoughts and feelings thus, thinking and writing of time, outside of snow has already become the white to package in this world silently, seem to be namely fine and mysterious.The village head is an unknown wild dog, feeling an extreme perplexity for the world of this white, barking wildly sad and shrillly.It cause just some little cold with tremor.I think to be virtuous and great at this time to have already gone into dreamland perhaps, rounding to sit with friends to drink small wine together in this world of aly not well-knownly of the warmth of the cabin perhaps, continuing to present to public a yesterday a dynasty that interesting and horrifying"modern play" that ends never.

                                               CHONG GUANG YANG
                                          In 2005 February 20th