戴增鈞

 

我創(chuàng)作的作品含有理想主義色彩，關注人與自然。人的生存本能和欲望，一直是我繪畫的母題。

 

我們深深陷入一個飛速發(fā)展而不可預知的世界當中，信息的高速發(fā)展，使我們處在多種文化元素交錯的語境當中。多種文化元素擠壓著我們，我們不可能完全清理和吸收它們，同時，人又不可能完全地對抗它們，因為它是人類文化發(fā)展所無法擺脫的境遇，也是人自己處身的周遭環(huán)境。當代人失去了人與自然、人與自我的傳統(tǒng)式的內在和諧，而進入一種"自我"本質的重新定位。人的本質不再是一些抽象的形式原則，而是充滿肉體欲望和當代感覺的"生命體"。

 

人情的冷漠，使我們在社會中穿上了厚厚的鎧甲，身處鬧市卻異常孤獨。“孤獨意識”是當代人的心理特征，與其說是人與客觀對象之間的距離擴大，不如說是在精神、在人和人之間的交流方面出現(xiàn)了最明顯的離心形式。城市的喧囂和各種壓力束縛著人們心中的真實，也迫使人們把解脫當成一種向往。心靈由于金錢的強勢牽扯，已經很難能對真正的精神價值作出切實的判斷。"現(xiàn)代感覺"終于在金錢支配的大城市中樹立起來，它在推動現(xiàn)代人去涉獵私人權力和私秘空間當中，使我們更加得寂寞和孤獨。“ 詩意的棲居 ”成了當代社會不可及的奢望，人類的精神家園消失了。

 

人作為欲望的主體，我們的肉體在現(xiàn)代社會當中，空前地遭遇到時間和空間的分裂、遭遇到各種欲望的沖擊和現(xiàn)實社會權力的壓抑、感受到邊緣化情緒性體驗。因此，個人身心與制度的斷裂，理性與社會的斷裂，造成了現(xiàn)代人肉體的多種流動變化的蹤跡。于是，重生命感覺性，重靈肉分離性，重視精神游戲性，成為了當代審美文化和媒體的中心。

 

“欲望花園”系列是我對人類精神家園 的審視，面對忙碌人生，我們很難離開鬧事去山野園林享受獨善其身的孤寂生活，人類的命運完全與我們的生活現(xiàn)實與社會中的政治權利緊緊聯(lián)系在一起，人作為代表著各種欲望的生命符號，人的生存、工作，及生活的方式好像被不可預知的力量所支配，社會的快速進步使人情冷漠、戰(zhàn)爭頻發(fā)，能源危機、環(huán)境惡化等問題進一步困擾著我們，理想與現(xiàn)實越來越遠。社會的發(fā)展并沒有使人性更加的崇高，原始的情欲使人們忙碌于網友的約會、一夜情及各種娛樂場所的高歌云雨，思想的饑渴和走向情欲的"震撼"，使得一切崇高話語在當代人的神經的高度敏感和麻木無感情的兩極間很難再度興奮起來，"欲望"的產生使人們早以忘記了傳統(tǒng)的倫理道德和審美規(guī)范。

 

于是我在畫面上呈現(xiàn)的仍是被剪輯的雙重信息，虛幻與真實，理想與當下‘自然物象與文化元素相互交織，相互混合，傳達的是“心中的真實，現(xiàn)實的假象”。

 

 

Dai Zengjun

All my works include a color of idealism. I always devote them to the theme of noticing the relationship between human and nature and the basic instinct and desire for existence.

 

Addicting ourselves in an unpredictable and rapidly developing world, we are confusedly surrounded by many kinds of cultures, because of thousands of high-developed information. Squeezed by those different kinds of couture, it is impossible for us to check them all or adopt them all. Meanwhile we can not escape from or fight against the environment, as it is not only the necessary stage of human evolution but also the necessity for living.  Contemporary people have lost the harmonious stage between man and nature, between the current self and the traditional self. They reposition themselves as “ego”. The feature of human is not abstract form any more but the living body filled with sexual desire and modern feelings.

 

Stoniness of human makes us feel quite lonely in the noisy world, just like wearing thick corselet. The sense of loneliness is a psychological feature of contemporary people. It is not because of the distance between people and other objects, but the eccentric form of communication exiting between human beings. The noisy city and all kinds of pressure restrain the true idea of people, and they also force people consider release as a fantasy. Led by the strong desire for dollars, we can not make judgment justly towards the true spiritual values. The modern feeling is set up at last in this money-oriented world, this promotes people hunt for more and more private room and special rights, at last makes us get lonely.  Poetic life becomes a luxurious idea because of the disappearance of the spiritual garden of human.

As the main body of desire, the physical body experiences apartness, gloominess, pressure and edged emotional feelings, which we never met before. So the physical body of contemporary human keeps dynamically moving because of the gap between heart and system, and between sense and society. Then it is the center of the aesthetic taste and the medium to regard the apartness between soul and body and spiritual gaming.

 

This series of painting works o The Garden of Desire are originated from the thinking to humans spiritual garden. Confronting the busy life we hardly can escape from it and enjoy ourselves in the wild field lonely. Twisted in the contract political rights and realistic chaos, man becomes a symbol of all sorts of desires. The rapid developing society makes us become stony, so we are disturbed by many problems such as wars break out, energetic crisis and environmental pollution. The distance between the ideal and the reality becomes more remote. The development of society doesn’t promote the evolution of human beings. In contrary the primary libido lead us to on line dating and one-night love, which make us spiritually hungry and sexually shocked.  All the lofting topics can not make us feel exited, as we have became numbly. Desire makes us forget the traditional ethics and aesthetic criteria.

 

So I choose the clipped dual-information in this work to transmitting the feeling towards the conflict between false and true, ideal and reality. The intervening of natural objects and cultural elements shows the theme of my picture— “the true idea in heart, the false situation in reality”.